Download Creating Jazz Counterpoint: New Orleans, Barbershop Harmony, by Vic Hobson PDF

By Vic Hobson

The booklet Jazzmen (1939) claimed New Orleans because the birthplace of jazz and brought the legend of blood brother Bolden because the “First guy of Jazz.” a lot of the data that the ebook depended on got here from a hugely arguable resource: Bunk Johnson. He claimed to have performed with Bolden and that jointly that they had pioneered jazz.

Johnson made many recordings conversing approximately and taking part in the tune of the Bolden period. those recordings were handled with skepticism due to doubts approximately Johnson’s credibility. utilizing oral histories, the Jazzmen interview notes, and unpublished archive fabric, this booklet confirms that Bunk Johnson did play with Bolden. This affirmation, in flip, has profound implications for Johnson’s recorded legacy in describing the track of the early years of recent Orleans jazz.

New Orleans jazz was once assorted from ragtime in a couple of methods. It used to be a song that used to be jointly improvised, and it carried a brand new tonality―the tonality of the blues. How early jazz musicians improvised jointly and the way the blues turned part of jazz has previously been a secret. a part of the explanation New Orleans jazz constructed because it did is that each one the well known jazz pioneers, together with blood brother Bolden, Bunk Johnson, Louis Armstrong, Sidney Bechet, Johnny Dodds, and child Ory, sang in barbershop (or barroom) quartets. This ebook describes in either old and musical phrases how the practices of quartet making a song have been switched over to the tools of a jazz band, and the way this, in flip, produced jointly improvised, blues-inflected jazz, that special sound of latest Orleans.

Show description

Read Online or Download Creating Jazz Counterpoint: New Orleans, Barbershop Harmony, and the Blues PDF

Similar music books

When Giants Walked the Earth: A Biography of "Led Zeppelin"

They have been 'the final nice band of the sixties; the 1st nice band of the seventies'; they rose, a bit of unpromisingly, from the ashes of the Yardbirds to develop into one of many biggest-selling rock bands of all time. Mick Wall, revered rock author and previous confidant of either web page and Plant, unflinchingly tells the tale of the band that wrote the rulebook for on-the-road extra - and at last paid the associated fee for it, with catastrophe, drug dependancy and demise.

The Wire, Issue 13 (March 1985)

At the cord: opposed to The Grain
Kenneth Ansell

Live twine: Stockhausen competition, Thessaloniki competition, Kenny Clare gain, David Thomas/Lindsay Cooper/ Chris Cutler & Ivor Cutler, George Coleman
Max Harrison, Steve Lake, Dick Knowles, Kenneth Ansell, Brian Case

Salsa!
Sue Steward

On The list: Wires consultant To Bargains
Jeremy Crump & Alan Ross

Musa Suso
Charles De Ledesma

Charlie Parker designated Feature
Brian Priestley, Charles Fox, Jeff pace, Greg Murphy, Brian Davis, Keith Shadwick, Stan Britt

Great Recordings: Peter Brotzmann's "Machine Gun"
Steve Lake

Soundcheck: Guitar slender, McLaughlin, Rollins, United Jazz & Rock Ensemble, Waldron Etc

Recent Releases
Brian Priestly & David Ilic

A Theory of Harmony: With Questions and Exercises for the Use of Students

The British composer John Stainer (1840-1901) used to be organist at St Paul's Cathedral from 1872 to 1888, and in 1889 turned Professor of tune at Oxford. during this 3rd version of A thought of concord he ceased to name it a idea based at the tempered scale, as he had formerly. He wrote within the Preface that he now believed the idea to be completely acceptable to the method of simply intonation.

Additional info for Creating Jazz Counterpoint: New Orleans, Barbershop Harmony, and the Blues

Sample text

Whichever is the case, he began playing some years after Bunk Johnson had already begun to develop a reputation 44 Just Bunk? as a cornet player, which was why Oliver listened to him play and may even have taken lessons from him. ”71 Even if we accept that Johnson was born December 1884 and Oliver December 1885, Johnson would have been just a year older than Joe Oliver, but in terms of musical development he was several years ahead. The question of when Bunk Johnson was born has particular significance because of his claim to have played with Buddy Bolden.

After Kenchen died, he said, the band was taken over by the cornet player George McCullen [sic]. ”67 He went on to say that then he and the drummer Walter Brundy (b. 1883)68 would visit Joe Oliver at “Second and Magazine where Joe was working, and I used to teach Joe there. I used to help Joe. ”69 Joe Oliver and Stella were married “four or five years” after they first met. This would suggest they met around 1906. ”70 She said, “I was young and he was young. Joe’s only two years older than me,” and that he was not a musician before she met him.

Renewed EDWIN H. MORRIS & COMPANY, A Division of MPL Music Publishing, Inc. All Rights Reserved. Reprinted with Permission of Hal Leonard Corporation. The chord of A-diminished-seventh contains two notes that are not in the key of E b-major (G b and A-natural) and these notes, therefore, have accidentals. One of these, the G b, is the minor third of the key. This is the hallmark of blues tonality. In composed blues, it is common for melodies (and the harmony) to contain both major and minor thirds.

Download PDF sample

Rated 4.98 of 5 – based on 44 votes