By Tatiana A. Tagirova-Daley
Claude McKay’s releasing Narrative: Russian and Anglophone Caribbean Literary Connections examines McKay’s look for an unique type of literary expression that began in Jamaica and persisted in his next travels out of the country. Newly chanced on learn touching on his presence in numerous Russian periodicals, magazines, and literary diaries brings new mild to the writer’s contribution to the Soviet knowing of African American and Caribbean matters and his attainable impression on Yevgeny Zamyatin, the author he met in the course of his 1922 - 1923 stopover at to Russia. the first concentration of this e-book is Claude McKay and his confident reception of Alexander Pushkin, Feodor Dostoyevsky, and Leo Tolstoy, the nineteenth-century Russian writers who prompted his literary occupation and enabled him to discover an answer to his obstacle of a twin Caribbean id. The secondary concentration of this e-book is the research of McKay’s affinity together with his Russian literary predecessors and with C.L.R. James and Ralph de Boissière, his Trinidadian contemporaries, who additionally said the significance of Russian writers of their inventive improvement. The ebook discusses McKay as a precursor of Russian and Anglophone Caribbean hyperlinks and provides a comparative research of cross-racial, cross-national, and cross-cultural alliances among those unique but related different types of literature. Claude McKay’s releasing Narrative is very steered for undergraduate and graduate classes in Caribbean and comparative literature at North American, ecu, Caribbean, and African universities.
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Extra info for Claude McKay's Liberating Narrative: Russian and Anglophone Caribbean Literary Connections
But in Petrograd and Moscow, I could not detect a trace of this ignorant snobbishness among the educated classes, and the attitude of the common workers, the soldiers and sailors was still more remarkable. I. Lenin, Leon Trotsky granted him public correspondence and a private meeting; Grigori Zinoviev, the president of the Third International, stood by his side at a May Day reviewing stand; and the Moscow soviet made him an honorary member. He was dined by the commissar of education and arts, introduced to the constructivist theater director Vsevolod Meyerhold, and presented with an autographed collection of poems by Vladimir Mayakovsky.
See Frederic Cassidy, Jamaica Talk: Three Hundred Years of the English Language in Jamaica (London: Macmillan, 1961), pp. 155–157. 10 Winston James, A Fierce Hatred of Injustice: Claude McKay’s Jamaica and His Poetry of Rebellion (London and New York: Verso, 2000), p. 59 (thereafter cited as Fierce Hatred). 11 Claude McKay, Songs of Jamaica in The Dialect Poetry of Claude McKay (Plainview, New York: Books for Libraries, 1972) (thereafter cited as SJ). 84–85. 284–293. 5. 87. 29. 64. 275–276.
3 McKay’s interactions with Yevgeny Zamyatin and the possibility of his influence on the creation of black characters in We (1924) and “The African Guest,” the play Zamyatin completed by December of 1931, has not been analyzed. While Kate Baldwin points to “intriguing moments in Russian cultural production” that in her opinion show McKay’s importance in Soviet thinking about race4 and assumes “a fusion of McKay and Pushkin” in the character of the 38 CLAUDE MCKAY AND SOVIET RUSSIA Negro poet of We,5 she does not examine specific incidents of this connection.