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By David Welch, Roel Vande Winkel

Cinema and the Swastika is the 1st ebook to assemble comparative study at the foreign enlargement of 3rd Reich cinema. This quantity investigates quite a few makes an attempt to infiltrate - economically, politically and culturally - the movie industries of 20 nations and areas both occupied by means of, pleasant with or impartial in the direction of Nazi Germany. With contributions from the world over acclaimed experts, the territory coated contains Western and critical Europe, Italy, Japan, Scandinavia, Spain, South Americas and america. This ebook additionally beneficial properties tests of the overseas movie Chamber, wherein the Nazi propaganda minister, Joseph Goebbels, attempted to guide the 'Film Europe' circulation, and of Hispano movie, by which German cinema attempted to beat Spanish markets.

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Details taken from Barch, R109 1/431, Akten derUfa-Film GmbH. 30. Barch, R2/4807. 31. The decree is dated 18 March 1938. It is reproduced in Wulf (1964), p. 302. See also H. Traub, Die Ufa-Lehrschau: Der Weg des Films von der Planung bis zum Vorführung (Berlin: Ufa-Buchverlag, 1941). 32. See Chapter 4. 33. See Chapter 8. 34. Barch, R2/4799. 35. See Chapter 5. 36. See Chapter 4; Spiker (1975), pp. 183–6. 37. See Chapter 8; Spiker (1975), pp. 187–9. 38. See Chapter 9. 39. Spiker (1975), pp. 190–2; Becker (1973), pp.

Entartete Kunst: das Schicksal der Avantgarde im Nazi-Deutschland (München: Hirmer Verlag, 1992), pp. 185–91. 13. The decree was issued on 27 November and is reproduced in Wulf (1964), pp. 119–20. 14. S. Tegel, Nazis and the Cinema (London: Continuum, 2007), p. 44. 15. G. ). 16. ), p. 36. 17. This goes for other cultural products too. ’ A. Ascheid, Hitler’s Heroines: Stardom and Womanhood in Nazi Cinema (Philadelphia: Temple University Press, 2003), p. 7. 18. D. ). com - licensed to Universitetsbiblioteket i Tromso - PalgraveConnect - 2011-04-02 22 23 19.

10–18; W. Becker, Film und Herrschaft. Organisationsprinzipien und Organisationsstrukturen der nationalsozialistischen Filmpropaganda (Berlin: Verlag Volker Spiess, 1973); J. Spiker, Film und Kapital (Berlin: Verlag Volker Spiess, 1975). 4. Gleichschaltung was the term employed by the Nazis which loosely referred to the obligatory assimilation within the state of all political, economic, and cultural activities. 5. NSBO had to share DACHO with Alfred Rosenberg’s KfdK. 6. The decree is reproduced J.

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