By Monica Migliorino Miller Ph.D.
each day, millions of children—fragile, blameless, alone—are deserted. they're brutally snuffed from the realm and actually left within the trash . . . and it is all felony. deserted: The Untold tales of the Abortion Wars is the tale of these childrens deserted by way of abortion, and it's the tale in their brave defenders.
due to the fact that 1976, Monica Miller has made it her life's paintings to shield the unborn: she has suggested pregnant ladies open air abortion clinics and arranged pro-life teams and sit-ins at lots of those self same clinics. She has blocked abortionists autos, been arrested, and long past to detention center. and he or she has pulled the our bodies of millions of unborn infants out of dumpsters and given them a formal burial.
Abandoned: The Untold tales of the Abortion Wars is the profound, breathtaking, and infrequently bold trip of 1 girl, however it is far greater than that. it's a background of the Pro-Life circulate due to the fact Roe vs. Wade, a suspenseful, true-life story of existence and demise, an insightful look at the original and poor horror of abortion, and a plea for the safety of the main helpless and blameless contributors of the human family.
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Extra resources for Abandoned: The Untold Story of the Abortion Wars
She checked the box that indicated she was not sure if she wanted an abortion. She was hoping to receive at least some counseling before she made her decision. “I wanted to know how abortion might affect me physically and mentally and I wanted to know if the fetus was human,” Donna explained to me with bitterness in her voice. “But before I received any counseling Raphael and I had to pay for the abortion. My blood was drawn, and I was told to undress, and they gave me a hospital gown and those paper slippers to wear.
My grandmother died. She practically raised me. ” She paused again. ” I asked. ” Sheila’s gaze was fixed on the road ahead. I looked at her and then looked away. I didn’t know what to say, so I said nothing. But I was amazed that she acknowledged the death of her unborn child. I foolishly thought that the abortion had not affected her in any way—but indeed, like the loss of her grandmother and her friend, Sheila mourned the loss of that unseen child. In May, 1976, five months after Sheila’s abortion, I graduated from SIU with a Bachelor of Science in Theatre.
His identity, as well as his body, had been effectively concealed. Perhaps Florendo had blundered somehow in the performance of this late-term abortion and, in panic, felt as though he needed to cover it up. Maybe he miscalculated the unborn child’s stage of development, started the abortion, and once begun, believed he had no choice but to see the grisly deed completed. Joe Scheidler was with us in his garage when the shattered remnants of this child were brought to light. Andy Scholberg, who worked for Joe at the Pro-Life Action League, began the process of photographing the body, arranging the torn limbs into a hideous parody of a living baby.